Week In Music October 5-11th

 

Van Halen - Somebody Get Me A Doctor...

I was overjoyed last night to happen across Mooseic's blog post about Julian Cope's Copendium and to there learn that Cope had featured Van Halen in one of his Albums Of The Month.   Discussing the first four classic albums and this bootleg (that came in many different guises of the October 15, 1977 show in Pasadena, CA), Cope is so RIGHT-ON in his thoughts about the band.  "If they had a problem at all, it was just that they had two Shamen in one group and both shamen were showmen."  I got down my own thoughts on Van Halen earlier this year and how exciting it all was.  Nice to see that Cope, another of my favourite musicians, appreciates them.  And this got me thinking about Somebody Get Me A Doctor again.  One of the best ROCK songs ever written - the KILLER RIFF, the flair with which it's performed, Eddie's awesome volume swells and harmonics.  

The recorded Van Halen II version: 




The early live (bootleg) version Cope is talking about ("...this song is just a festival of utter confusion - I wish I didn't know it and I'm jealous of those who might be being introduced to this song for the first time via this particular version."). Slightly different intro to recorded version.



A great live version from 1982 in Largo. Some amazing harmonics flying from Eddie's fingers. Great breakdown section with interplay between the brothers, heading into Cream's I'm So Glad before returning to the tune.

Gene Simmons - Radioactive...

Radioactive, the first song on Gene Simmons' 1978 solo album was always my favourite of all the KISS solo records (I remember being very disappointed by them as a child, only ever listening to this and Ace's version of New York Groove, but perhaps it's time to revisit them).  Aerosmith's Joe Perry played guitar on this and Tunnel Of Love and Bob Seger sang backing vocals!  It's a really good pop song.




On the 1979 Dynasty Tour (also known as "The Return Of Kiss") they performed a song from each of the four members' solo records (makes sense) though it looks like Radioactive (and Peter Criss' Tossing And Turning) was dropped after only a few gigs.  A shame.  A live version from Largo, MD 1979:




I was chatting with David Ryder Prangley the other night and he reminded me that not only did Gene Simmons produce Van Halen's 1976 "Zero" Demo, he also roped in Eddie and Alex to play on some KISS demos for him.  The Van Halen brothers played on early versions of Christine Sixteen, Got Love For Sale (originally entitled Have Love With Travel when the VH bros. played on it), and Tunnel Of Love (which ended up on Gene's solo record with Joe Perry on guitar).  How I would LOVE to hear these!  But this is one of those rare occasions that always makes one frustrated with technology, that even with all we have now, there's still no way to hear them.  There's been some conjecture about them being released and fingers crossed one day it will happen. Gene apparently states in the KISS box set that they wanted to use Christine Sixteen and Got Love For Sale but couldn't track Eddie down to get his permission.  He needs permission from both brothers in order to release them.

David Lee Roth's videos...

I showed these to Soph last night and she commented, "This explains a lot about how you became the way you are".  I love these songs and I love these videos.  They were SO EXCITING when they came out.  And I don't think anyone's ever made videos this great before.  A very bizarre world, that's all David Lee Roth.  I can't think of anything else they have to do with or relate to so it must be all that man's unique vision.

First up, Van Halen's Hot For Teacher.  Which I think is the greatest video ever made.  Such a killer song too.  Eddie once called it "a boogie beyond anything" which pretty much nails it.  The drumming and guitarwork is still incredibly impressive.




Then Dave's first two solo videos, before we knew he'd left VH.  I had that Dave TV shirt when I was 10 : )

California Girls:




Just A Gigolo/I Ain't Got Nobody:




Yankee Rose.  The video that made me want to start playing guitar.  When I saw it in July 1986 I thought Steve Vai making his guitar "talk" was the coolest thing ever.




Going Crazy:

Could This Be Magic? (thoughts on Van Halen)...

I'm reviewing the new Van Halen record for The Quietus. The review should be 600 words. I found that before I even listened to the record I'd already written 1200 words. So before I finish the review, here they are.

I've been waiting 27 years for this.  It would only be a slight exaggeration to say that every day I've wished it would happen.  They were my first love, you see.  And I've often said that Orwell at least had part of it right, though it was really in 1985, the day David Lee Roth left Van Halen, that the world went wrong. I never took sides in the split.  It seemed to me that there were then two great bands to follow.  Though it was never really the same.  And although the Van Halen name stayed, they were a different band with Sammy Hagar.  Not that that's a bad thing, far from it.  I realize it's heresy but I'll admit it here for the first time ever - I like 5150 better as an album than the first Van Halen record.  I think I was too late for Van Halen.  Having been introduced to them at the age of 6 via (Oh) Pretty Woman and then very quickly hearing Unchained (in my opinion, the best rock song ever recorded, followed closely by Panama and Everybody Wants Some!!), by the time I heard Runnin' With The Devil, it was a little too slow for me.  Not to take anything away from that album.  It was recorded live with only two overdubs, and those were rhythm guitar tracks behind the solos!  Consider the caliber of the playing.  And especially thinking of how bands make records these days, this is Astounding.  Back then you had to be able to play.  And boy could they play.  People sometimes mistakenly lump Eddie in with all the hot shot, gunslinging guitarists who came after him.  But if you actually take the time to listen, nobody, repeat nobody, sounds like Eddie Van Halen.  First off there's his tone, the famous "brown sound".  And then there's his sense of melody and phrasing.  His fingers may be flying but there's music behind them.  Van Halen II I absolutely LOVE.  Dance The Night Away is a fantastic pop song, Beautiful Girls (and the rest of them) are excellent rock tunes, and there's always been something about that D.O.A. riff.  Women And Children First I love too.  It has two of the best rock songs ever written on it (Everybody Wants Some!! and Romeo Delight) as well as the amazing melodic pop of In A Simple Rhyme (yes, yes, there's And The Cradle Will Rock..., it's never really been one of my favourites, though that Wurlitzer sound is Awesome.  WACF also has Could This Be Magic?, a great little acoustic blues).  Fair Warning and 1984 are both Masterpieces.  Fair Warning possesses a magnificent dark rock energy and 1984 is just classic pop through and through.  And I quite like Diver Down. Secrets and Little Guitars are amazing pop songs.  I could go on and on (and on and on...) about these records but let's leave it at that for now.

I was too young to see the 1984 tour.  Little did I know of the dark three decades that lay ahead.  My cousin Keith begged my mom to let me go with them, to no avail.  This makes perfect sense - I was 8 years old and he and his friends had just turned 16.  He called me the next day to tell me all about it though, and conveyed that sense of wonder and excitement that has always made pop music so special.  To my mom's credit, she let me go see David Lee Roth's first solo tour two years later, after seeing the Yankee Rose video made me pick up a guitar and literally changed my life.  October 3, 1986 at the Hartford Civic Center.  My older cousin Jenny drove us up and we met up with Keith and his brother Mark.  And voila!  I was introduced to this whole new world, a world I instinctively knew I wanted to be a part of.  A week later, on Roth's birthday, my mom let me stay up late to watch the first ever Joan Rivers Show with Roth as her first ever guest.  (Diamond Dave starts at 6:25 in)

27 years.  My feelings going into this are the most complicated I've ever felt about anything.  They were right there at the beginning of my love of music.  It may have been sparked by the 60's 45s and Beatles records that my mom would play, but Van Halen were the first band that I ever really felt were my own. And not in an exclusive, protective sort of way.  They were there for EVERYBODY.  And in America at that time, it seemed everybody loved them.  This wasn't the hide-in-your-room-and-wallow-in-being-misunderstood music that I'd later experience with the likes of The Smiths and Joy Division.  This was Good Time Music, Party Music, and everybody was invited.  There was a sense of inclusion and unity that made one feel just how enormous the power of music was, a feeling I would be glad to welcome again when I finally got to see Pulp for the first time last summer.  Music as a celebration of life, the one thing we all share.

I'd like to say that I remember the exact moment I heard that David Lee Roth had left Van Halen.  I know people who can recall that moment and describe it to you with exactness and clarity.  But in truth, I don't.  What I do remember, and this is perhaps more appropriate to the situation, is an air of confusion hanging about.  Well, why?  What did this mean (for us, for the world)?  There were 2 bands now, and 2 albums, and surely 2 is better than 1?  But you knew, deep down inside, that it would never be the same.  Not to make this too grandiose, for obviously there are plenty of more earth-shattering and important events that happen to people, but this was the first time in my life, at age 9, that I had to consider the idea that something you loved, that was important to you in way you didn't fully understand, that it could all change and be taken away from you, and to consider the uncertainty of the future.  Which, to be fair, also seemed exciting.  An excitement which carried you far past where you thought things would go - for surely Dave was coming back soon, right? - making things even more complicated.

All that said, I don't really have any expectations for this new record.  I mean, how could I?  Disappointment - a very real possibility, letting 27-year-old hopes build up - would prove nearly fatal.  But perhaps I do secretly wish for one more suspended chord melodic rocker (so much better than that sounds ; ) in the grand tradition of Unchained and Panama (perhaps the song 5150 is the final part of this most excellent trilogy).  I know it's supposed to be re-recordings of old songs that never got released (before I found the old demos online, I always wondered about how much stuff was left over.  B-sides were never a big thing in America, but with only 9 or 10 songs per album, there must be some extras kicking around somewhere), but Eddie always mentions the 100s of hours of music he's been recording the past however many years, surely there must be something great in there?  Will they make that little jam ("Earth", I think they called it) at the end of In A Simple Rhyme, in the fade-out of Women And Children First, into a proper song?  I always dug that riff.  I remember when the remasters came out, my boss called me all excited "You can hear that little jam at the end of the record so much better now!  It's awesome".  So many little things about Van Halen are important and exciting to a lot of people.  If nothing else, at least they'll be touring.  I've still never seen them.  On the last tour, I had tickets for the CT and NYC dates but they were postponed to a time when I was back in the UK.  Maybe I can finally get to see them live (truth be told, I was a bit disappointed when I read that they opened with You Really Got Me on the last tour.  I realize it was their first single and what broke them, but I'd much rather hear one of their songs.  I was gutted when on the 2002 Sam & Dave tour, Roth played a lot of the old covers and omitted Unchained, the best rock song ever written).  I really hope they come to Europe.

Maybe it's true, that the importance of this now is based on childhood experience.  But take a moment to think about your first love.  And how much it meant and hopefully still means to you, how much it shaped who you are, opening huge vistas of possibility and excitement and wonder, without you quite knowing why.  Could this be magic?

I say I've been waiting 7 years, when 1984 was released in 1983 (December 27th) - this being 2012 would make it 28 years.  But in actual fact, I didn't give it a second thought until Roth left.  I always just took it as given in those carefree days that Van Halen would continue releasing records, one a year, forever into the glorious future, or so it seemed.  So I've been waiting since 1985, when suddenly nothing was certain anymore yet we all clung to the hope this would all be resolved shortly.

Now, time to listen to A Different Kind Of Truth...

And here's THE BEST ROCK SONG EVER WRITTEN.  LOOK AT THOSE AMPS!!!

Van Halen..

The new Van Halen album is coming out tomorrow (well, in the UK, Tuesday in the States. I'm lucky enough to be in the UK and hear it a day early).  I've been waiting 27 years for this.  To say that I've hoped this would happen every day during that time would only be a slight exaggeration.  So in preparation, here's a pop song off each of the first 6 records.

Feel Your Love Tonight from Van Halen:



Dance The Night Away from Van Halen II:



In A Simple Rhyme from Women And Children First.  Great version from 1976 here.



So This Is Love? from Fair Warning:



Little Guitars from Diver Down:




And of course Jump from 1984 (I still get chills hearing the intro) :

Van Halen - Tattoo...

Van Halen released their new single, Tattoo, today.  I've been waiting 27 years for a new album with David Lee Roth, so excited about February 7th.  I'm very ill today but I have so much to say about all this.